| Top of the Wall For Jeffrey, the emotional investment in his work is most evident in this series. The agony and torment of the creative mind are visually explored. Stone has spent a career seeking very personal answers to universal questions. Why am I here? What is my future? How can I unburden myself from my past? When time is spent looking closely at these images, one discovers more and more depth that can help the viewer explore their own often uneasy feelings about lifes purpose and mortality.  |
The Other Side of the Wall is Bedlam, 2002, 8 x 12, Pen and Ink and Gouche
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The Other Side of the Wall is Bedlam, 2002, 8 x 12, Pen and Ink and Gouche
Words of Anguish Shape Reality, 2002, 3 x 5 ½, Pen and Ink
Faith is in the Clouds, 2004, 5 x 7, Pen and Ink
The Image is Always the Same, yet Always Different, 8 x 12 ½, Pen and Ink
The Garden, 2005, 9 ½ x 12 ½, Pen and Ink and Watercolor
What Does a Star Feel Like among All the Grains of Sand, 7 ½ x 13, Pen and Ink
The Little Orange Bird, 2002, 3 ½ x 5 ½, Pen and Ink and Watercolor
What About the Seashells? 2003, 8 ½ x 13, Pen and Ink
Running Inside the Rainbow, 2002, 6 x 12 ½, Pen and Ink
Star Bright, 2004, 6 x 9, Pen and Ink
Dancing with the Ghosts, 2002, 6 ½ x 10, Pen and ink
The Fear of Insecurity, 2005, 9 ½ x 12 ½, Pen and Ink
Touching the Air that Surrounds me, 2005, 5 ½ x 11, Pen and Ink
Torment, 2005, 5 x7, Pen and Ink
Study for the Four Horsemen, 2004, 5 x 7, Pen and Ink
Go Only if the Night can Follow, 2005, 1 Ό x 6, Pen and Ink
Dancing Warriors, 2004,9 x 12, Watercolor and Oil Pastel
Standing in One Place, 2005, 3 x4, Pen and Ink
The Burning Bush, 2001, 8 x 11 ½, Pen and Ink
A Mind Looking for its Hands, 2003, 6 ½ x 10, Pen and Ink
The Miracles of Past Mistakes, 2006, 4 x 20, Pen and Ink and Oil Pastel
One Comes Away from Conflict Less but More, Different but the Same. And the Journey is Always There, 2005, 2 ½ x 6, Pen and Ink
The Raising of Lazarus, 1991, 21 x 28, Oil Pastel